BPM TimingTIMING UTILITY

TEMPO IN. TIMING OUT.

BPM to milliseconds & Hz

Find the right note length for your delay, pre-delay or LFO.

NO AUDIO NEEDED
BPM

Quarter-note beat · 1–999 BPM

02 / SELECTED NOTE1/8 · Dotted
375ms

2.667 Hz · 0.375 seconds

Note-length grid

Select a cell, then copy the value.

Note durations at 120 BPM in milliseconds
NOTEStraight × 1Dotted × 1.5Triplet × ⅔
1/1Whole
1/2Half
1/4Quarter
1/8Eighth
1/16Sixteenth
1/3232nd
1/6464th
120 BPM · values in millisecondsDisplay: 3 decimals · copy: 6*

03

Milliseconds → BPM

Have a delay time? Choose the note it represents.

INFERRED TEMPO
120 BPM

375 ms as a dotted 1/8 = 120 quarter-note BPM.

FROM THE GRID TO YOUR SESSION

Set a tempo-synced delay or LFO.

Set your project BPM, choose a note and copy its value into a plug-in or pedal that accepts milliseconds. Switch to Hz for a modulation rate that repeats once per selected note.

Quarter-note ms = 60,000 ÷ BPM
Quarter-note Hz = BPM ÷ 60
For any selected note: Hz = 1,000 ÷ ms

*Copied values use up to 6 decimal places. Values below 0.001 use 7 significant digits to preserve small rates.

See the formula & worked examples
What is a dotted eighth delay?

At 120 BPM, a quarter note is 500 ms. An eighth is 250 ms; adding half of that length gives a dotted eighth of 375 ms. At 128 BPM, it is 351.5625 ms.

How do triplets change delay time?

A triplet lasts two-thirds of its straight note value. At 120 BPM, a straight eighth is 250 ms and an eighth-note triplet is 166.667 ms (rounded), or 6 Hz. A dotted note instead lasts 1.5 times the straight value.

Why does ms → BPM need a note value?

The same 375 ms can mean 160 BPM for a straight quarter, 80 BPM for a straight eighth or 120 BPM for a dotted eighth. The interval alone cannot tell you the song’s tempo.

Is Hz the pitch of a musical note?

No. Here Hz measures repetitions per second, such as an LFO cycle. A 500 ms cycle is 2 Hz. This tool does not calculate tuning frequencies or analyze audio.

What about reverb, swing and time signatures?

These are even note lengths, not swing or groove timing. Reverb pre-delay can use them as starting points; a room’s decay cannot be calculated from BPM. In 6/8 or another meter, enter the equivalent quarter-note BPM if your tempo marks a different beat. For example, dotted-quarter = 80 means quarter-note = 120; use 120 here.